Size: 15.4inch
Brightness: 1500 nits
Stand mount: VESA

Six inputs, four pictures at once
The back carries three SDI inputs and three HDMI inputs, with SDI and HDMI outputs alongside them. That is the same arrangement as the 22S4, which takes three 4K60 HDMI feeds and three 3G-SDI feeds, and it lets the monitor display four sources simultaneously.

For a director’s monitor, that is the functional argument: several camera or playback feeds can live on one screen instead of requiring separate monitors, while the outputs allow those signals to continue further down the chain.

The new IPS Black panel
OSEE has moved to an IPS Black panel, and Richard was direct about why: the company is chasing the black levels that creators coming from consumer displays expect, without giving up daylight brightness. As a result, the panel has a small amount of gloss, which is a departure for a monitor line built around a matte, anti-reflective finish.

Peak brightness stays at 1500 nits, matching the 22S4, so the deeper blacks do not cost output. OSEE quotes a contrast ratio of 1650:1.

The monitoring tools are the full set rather than a reduced one: anamorphic de-squeeze, zebra, false color, waveform, and the rest of what OSEE puts in larger panels such as the LCM215-HDR+. Configurations can be stored as MySets, eight of them across pages, so a project that always runs de-squeeze and false color together is one recall away rather than a menu dive.